doing fairly dangerous things at times

portraiture and landscape

he asks questions about the kinds of political and economic forces that determine the often poor results of allowing full reign to the market

in both positive and negative ways

their mythical task was to retrieve the golden fleece from a remote island

Syracuse, 1981 Portrait photography doing fairly dangerous things atFirst edition first impression in new condition, signed by Bruce Gilden to title page. About Looking through my Syracuse work is a walk down memory lane. I was 34 in 1981 when Jeffrey Hoone the director of Light Work invited me to Syracuse for a month long artist residency. The Light Work residency enables a photographer to shoot, develop, and print film, and, since I have never been very good at either developing or printing, I focused exclusively on